Science Fiction as a Laboratory for Being Human

Rating

Video Reviewed
Rating8.4/10
What Will Humans Look Like in the Future? | Aabria Iyengar Asks Hank Anything

Humanity shrinking to three or four feet tall for the sake of efficiency is the kind of speculative idea that makes Hank Green and Aabria Iyengar’s conversation work. Green imagines smaller future humans consuming fewer resources, requiring less space and potentially gaining health advantages, while Iyengar immediately tests the idea against the simple fact that she likes being tall. That combination of scientific curiosity, creative worldbuilding and playful resistance establishes a discussion that is less interested in predicting the future than in exploring what different futures might reveal about people.

Iyengar’s developing space-opera setting gives much of the science-fiction discussion a practical purpose. Questions about Dyson spheres, isolated civilizations, hive minds and faster-than-light travel become opportunities to turn scientific concepts into storytelling tools. Green’s distinction between a rigid Dyson sphere and a gradually constructed Dyson swarm is particularly effective because he explains both the engineering difficulty and the observational idea behind such a civilization, while appropriately noting that no such advanced civilization has been found. Iyengar then immediately considers how the concept could reshape a faction in her fictional universe, making the exchange feel genuinely collaborative.

Their discussion of familiar genre tropes is equally engaging. Green objects to stories that reveal humans are secretly extraterrestrial or uniquely chosen, partly because such premises conflict with humanity’s evolutionary history and partly because he sees potentially troubling ideas about human exceptionalism embedded in them. Both are similarly skeptical of stories where defeating one villain somehow eliminates a society’s deeper prejudice or dysfunction. These are interpretive arguments rather than scientific conclusions, but they lead to a thoughtful examination of how fictional structures can simplify complicated social systems.

The title question arrives relatively late, but it produces one of the richest stretches. Green speculates that future humans could deliberately alter their size, physiology, senses and reproductive processes rather than simply waiting for natural selection to reshape the species. His predictions about widespread smaller bodies, artificial gestation and highly customizable physical forms are explicitly speculative, and the conversation generally treats them that way. The discussion becomes more interesting when Iyengar asks whether humans might eventually add entirely new abilities rather than merely using technology to restore or optimize existing ones, leading to amusing but revealing possibilities such as extra thumbs, a third eye or a dramatically improved sense of smell.

Scientific explanation is strongest when the show pauses to correct uncertain recollections. A later insert revisits the conversation about diabetes, explaining the historical association between diabetes mellitus and sweet urine, the fruity or acetone-like breath associated with diabetic ketoacidosis, and the historical diagnostic importance of smell. That correction is valuable because the live conversation frequently moves through half-remembered facts at comic speed. Similar care would have strengthened other sections, particularly the historical discussion of Rapa Nui, where Green presents a corrective account of ecological collapse, colonial violence and disease in a compressed form that leaves little room for the complexity or uncertainty surrounding such a large historical argument.

The chemistry between Green and Iyengar is both the episode’s greatest asset and its main structural weakness. Their rapid detours into mending jeans, romance, concerts, ravens, hamburgers, helicopters, blogging and Phoenician writing systems are often genuinely funny, and Iyengar’s enthusiasm repeatedly pulls Green toward unexpected connections. Yet the conversation is so willing to follow every tangent that substantial ideas can disappear for long stretches. Viewers arriving primarily for a focused exploration of future human evolution may find that the title promises a much narrower discussion than the episode actually provides, while the extended sponsorship break further interrupts an already loose structure.

What ultimately holds the sprawling conversation together is a shared fascination with science fiction as a way of examining ordinary humanity. Alien cultures become tools for thinking about cultural exchange, romance becomes another form of speculation about human connection, and imagined bodily modification raises questions about which aspects of human experience people would preserve even if technology allowed them to change almost anything. Green and Iyengar do not resolve these questions, but their willingness to challenge each other, improvise and admit uncertainty makes the intellectual wandering productive more often than not.

Pros

  • Green’s Dyson swarm explanation turns a famous science-fiction concept into an accessible discussion of engineering constraints and possible astronomical detection.
  • Iyengar’s worldbuilding questions give the scientific material an immediate creative application rather than leaving it as disconnected trivia.
  • The discussion thoughtfully connects genre conventions such as chosen ones, alien ancestry and singular villains to broader assumptions about humanity and society.
  • Speculation about future bodies clearly functions as speculation rather than being presented as a reliable forecast of human evolution.
  • The later diabetes segment usefully corrects and expands on uncertain claims made during the spontaneous conversation.
  • Green and Iyengar have energetic chemistry that makes complicated ideas about evolution, culture, language and transhumanism unusually approachable.

Cons

  • The central question of future human appearance occupies only part of an exceptionally wide-ranging conversation.
  • Frequent tangents sometimes bury promising scientific and philosophical questions before they can be explored in depth.
  • The Rapa Nui discussion compresses a complicated historical subject into a confident narrative without the same visible qualification given to some scientific topics.
  • The lengthy sponsor segment disrupts the momentum of an already loosely structured discussion.

Green and Iyengar turn speculative worldbuilding into an energetic exploration of evolution, technology, culture and the surprisingly difficult question of what parts of humanity are worth preserving. The looseness occasionally works against depth and focus, but the combination of informed explanation, explicit speculation and genuine creative curiosity makes the conversation rewarding well beyond its headline question.

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