Twelve Salsas, One Cilantro Grudge, and Plenty of Useful Technique

Rating

Video Reviewed
Rating8.1/10
I Made EVERY Salsa

The strongest idea here is not simply making a dozen salsas, but showing how dramatically the category changes once the ingredients are roasted, boiled, fried, blended, crushed, soaked, or served raw. Pico de gallo gives the episode an intentionally familiar starting point before the lineup moves through raw and cooked salsa verde, roasted red salsa, chile-heavy sauces, nut-and-seed preparations, avocado salsa, and several less common varieties. That progression makes the video useful as a broad survey rather than just a recipe compilation, because the differences in texture, heat, acidity, smoke, and richness become increasingly obvious as the cooking methods change.

The presentation is characteristically loose and joke-heavy, with cilantro serving as the recurring antagonist. The host repeatedly explains that he dislikes its flavor but still uses it where the recipes call for it, which becomes both a running joke and an interesting limitation on his own tasting. He is generally careful to separate that personal reaction from broader judgments, noting when a salsa seems well constructed even though the cilantro makes it unpleasant for him. The humor can wander into deliberately absurd wordplay and exaggerated reactions, but the cooking remains clear enough that the episode rarely loses track of what each salsa is supposed to demonstrate.

There is also a good amount of practical technique embedded in the comedy. The video explains why pulsing can produce a more even chop in a food processor, why hot ingredients should be blended cautiously, why dried chiles may need soaking if a food processor cannot break them down, and how roasting changes the character of tomatoes and peppers. The molcajete section goes further by showing the preparation of the volcanic-stone mortar before use, while the salsa macha demonstrates how nuts, seeds, garlic, spices, chiles, and oil can create something structurally very different from tomato-based table salsa. These details give the episode real instructional value beyond ingredient lists.

The most interesting recipes are generally the ones that push furthest beyond the familiar. Salsa negra combines multiple dried chiles with frying, reduction, Worcestershire sauce, brown sugar, vinegar, and Maggi, producing one of the host's most enthusiastic reactions. Salsa borracha uses beer to deglaze and simmer roasted ingredients, while salsa macha relies on fried peanuts, pepitas, garlic, spices, and chiles suspended in seasoned oil. The enthusiasm around these preparations is contagious because it develops from visible experimentation rather than simply declaring every recipe successful.

The episode is less convincing when it starts making broad cultural or historical statements. Several sauces are described as Mexican, South American, Mayan, ancient, or more than a thousand years old, but those claims are not developed or supported within the video. Some terminology is also treated casually or turned into jokes, which fits the comedic approach but makes the presentation less useful for viewers hoping to understand regional origins with precision. The cooking demonstrations are much stronger than the historical framing, and the video works best when it stays focused on ingredients, technique, and flavor.

There are also moments when experimentation blurs the distinction between demonstrating a representative recipe and modifying one according to personal taste. The host doubles the brown sugar in salsa negra, adds tequila to the avocado salsa, adjusts acids repeatedly, and openly chooses heat levels based on preference. None of that is inherently a problem—adjustment is part of cooking—but it matters because the episode initially frames the selections as essential or prototypical examples. What viewers receive is therefore better understood as a personable tour through twelve salsa styles than a definitive standard for each one.

The biggest structural weakness arrives at the end. After spending the entire episode building a field of twelve candidates, the promised comparison with Josh Scherer is redirected to a separate podcast rather than resolved here. That does not diminish the individual demonstrations, but it leaves the central question of which versions succeed best unanswered within the video itself. A short comparative tasting would have given the episode a stronger sense of completion and helped translate all those separate observations about heat, texture, smoke, acidity, and richness into a meaningful final ranking.

Pros

  • Wide-ranging selection demonstrates how varied salsa can be in ingredients, texture, heat, and cooking method.
  • Useful techniques involving roasting, boiling, blending, frying, chile preparation, seasoning, and molcajete use are worked naturally into the demonstrations.
  • Personal dislikes are usually distinguished from judgments about whether a salsa itself is successful.
  • Less familiar preparations such as salsa negra, salsa borracha, salsa macha, and sikil pak give the episode more value than a collection of standard restaurant-style recipes.
  • Strong reactions and constant experimentation keep a long sequence of similar cooking tasks energetic.

Cons

  • Historical, regional, and linguistic claims are presented casually and receive little explanation or support.
  • Personal modifications sometimes make it unclear how closely each version represents the supposedly prototypical salsa being demonstrated.
  • The recurring cilantro jokes and extended wordplay occasionally distract from the more useful cooking information.
  • The final comparative tasting and ranking are moved to another program, leaving this episode without the payoff its twelve-recipe structure appears to promise.

This is an entertaining and surprisingly instructive tour through salsa styles that succeeds most when cooking technique, unfamiliar ingredients, and genuine flavor reactions take center stage. Its cultural framing can be imprecise and the missing final comparison weakens the ending, but the variety of preparations and clear enthusiasm for experimentation make it useful both as cooking inspiration and as an accessible introduction to how much more salsa can be than chopped tomatoes and peppers.

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